Beginning at a stylish mansion in the roaring 1920s, a socialite, flappers, and the men who love them come to their ultimate demise. These ghosts continue to haunt the mansion throughout the decade. Now they?ve come back to haunt and chase after a new generation of beautiful girls. The Dead Want Women!

The story involves a dangerous psychopath hiding out in the attic of a sorority house who torments a small group of pretty young sisters (including Olivia Hussey and Margot Kidder) who are staying behind over Christmas break. His tactics range from making obscene phone calls from their house-mother’s phone, to stalking the terrified boarders with sharp objects and murderous intent. Director Bob Clark, who mistook dreariness for tension in his previous horror effort Children Shouldn’t Play With Dead Things! (1972),

She searched for a home, she searched for love. Confronted by Apartheid and a father who was Minister of censorship. With men like Jack Cope and Andre Brink she found much love, but no home. In his first speech to the South African Parliament Nelson Mandela read her poem "The Dead Child of Nyanga" and addresses her as one of the finest poets of South Africa.

Kill Keith: Volume 1. Keith ?Cheggers? Chegwin is a household name and has been at the top of his game for nearly 40 years. He?s an all round entertainer and has lived with us via our TV screens on Swap Shop as kids through to GMTV as parents. He is undoubtedly a national treasure, and for nearly four decades has been much loved by viewers young and old. The year is 2010 and hidden away in a damp dark and blood stain cellar is a stranger, a man, a figure in the dark, someone we?d rather not know. He sits through the small hours torturing himself watching Swap Shop on fast forward over and over again. Cheggers Plays Pop posters decorate the cellar walls. The stranger moves slowly around his memorabilia filled shrine; terrifying equipment of torture fill the cellar together with several slabs of dead meat hanging from meat hooks. In the corner a man is bound and gagged in a cage while being subjected to archive TV clips of Keith Chegwin?

The Holy Land, 1099AD. The end of the first Crusade. When the conflict began, Christian knight Sir Gregory lead over a hundred men, but now less than ten remain. They include his squire Paul, a friar named George, and the arrogant Sir Robert. George and Sir Gregory discover a holy relic ? a fragment of the True Cross and embark on a journey to Rome, to present the relic to the Pope. En route the ship they charter runs aground, their crew dead. Continuing their journey overland, the knights come across three Turkish warriors (two swordsmen and a female archer) and two pilgrims (a woman named Rebecca and an unnamed man) being attacked by bandits. The knights rush to their aid, and after a brief fight all the bandits are killed. They insist on accompanying Sir Gregory and his men on their journey, and the pilgrims also join the group. That night, the male pilgrim and one of the knights both go missing?

After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste.

Seven months have passed since the dead took over. Many cities and states have been abandoned and left to die. Several self sufficient hunting groups have been established to take on the threat in a war aptly referred to as the ?War on Dead?. Jillian Hurst, a former news writer and amateur documentarian, has set out to make a pro-war propaganda film to support the W.O.D. She joins up with a pack of renegade hunters known infamously to North America as ?the deadheads?. The moral dynamics and hardships of fighting in a war against the undead are told from several different perspectives.

Tricia?s husband Daniel has been missing for seven years. Her younger sister Callie comes to live with her as the pressure mounts to finally declare him ?dead in absentia.? As Tricia sifts through the wreckage and tries to move on with her life, Callie finds herself drawn to an ominous tunnel near the house. As she begins to link it to other mysterious disappearances, it becomes clear that Daniel?s presumed death might be anything but ?natural.? The ancient force at work in the tunnel might have set its sights on Callie and Tricia ? and Daniel might be suffering a fate far worse than death in its grasp.