Storyline: American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.

How is it possible to make a game good and bad at the same time? Until now I have never encountered a sum of extremes like this one. When you start to think "Hey, this is quite interesting" the producers hit you in the head with another foul up and right when you start saying, "I can't take this any longer, I'm uninstalling" the opposite is happening. The producer I'm talking about is Cauldron, a company which isn't exactly young and inexperienced and is certainly not at their first game.

Ian is a high school senior in suburban Chicago, plagued by being a virgin. Online he's inflated his resume, met Ms. Tasty, and agreed to drive to Knoxville where she promises sex. He steals his homophobic, macho brother's GTO, and, with his two best friends, Lance and Felicia, heads south. Every young woman who meets Lance, including Felicia, is attracted to him, even though he's an uncaring hound. Ian, on the other hand, is a decent guy who wouldn't mind if his friendship with Felicia became a romance. By the time they get to Knoxville, they have encountered a jealous boyfriend, a menacing hitchhiker, jail birds, carjackers, an Amish community, and Ian's better judgment.