Photoshop is the program that some have come to know for finishing HDR Images but, more often than not, it’s overlooked as the source of producing great HDR files. RC Concepcion shows you how to create the most compelling HDRs by going through the entire process, start-to-finish, using only Photoshop.

Watch professional mixer Brian Lee White take a rock song from the raw recorded tracks to a great-sounding, polished mix in Avid Pro Tools. The course moves at a quick pace, showing how to establish a workflow for a particular song and make mixing decisions on the fly. Watch as Brian quickly sets initial levels, sculpts the individual tracks with EQ and compression, uses spatial and special effects to create depth and interest, balances the lead vocal and rhythm section, and adds the finishing touches before bouncing down the mix. Brian also stresses the importance of “thinking like a mixer” by being creative and serving the song, exploring ideas that inspire you, and breaking away from the template mindset.

Held yearly for centuries, the Ocean of Fire--a 3,000 mile survival race across the Arabian desert--was a challenge restricted to the finest Arabian horses ever bred, the purest and noblest lines, owned by the greatest royal families. In 1890, a wealthy sheik invited an American, Frank T. Hopkins, and his horse to enter the race for the first time. During the course of his career, Hopkins was a cowboy and dispatch rider for the U.S. cavalry--and had once been billed as the greatest rider the West had ever known. The Sheik puts his claim to the test, pitting the American cowboy and his mustang, Hidalgo, against the world's greatest Arabian horses and Bedouin riders--some of whom are determined to prevent a foreigner from finishing the race. For Frank, the Ocean of Fire becomes not only a matter of pride and honor, but a race for his very survival as he and his horse attempt the impossible.

EDIUS 6 nonlinear editing software is designed to meet the requirements of both a broadcast production environment and the independent editor requiring the highest quality, ease of use, and fastest finishing possible. Grass Valley editing systems are the fastest way to finish content, whether for news, sports, entertainment, documentary, or education.

In this video series dedicated to video production equipment, we're going to tell and show you everything (sound, light, the acting) associated with film production at the site. After finishing work on one platform, we show all our actions to the next. The aim is to viewing the entire series, you might feel a having spent a week with us and learn all that we do on videoploschadke, step by step.

SCRATCH in Film is the most comprehensive digital cinema imaging and workflow tool for digital post-production workflows. Designed to meet the unique DI workflow challenges of independent and documentary filmmakers, as well as boutique post-production houses, SCRATCH brings together playback, conform, editing, color grading, titling, compositing and finishing into a single, consistent interface that maximizes both creativity and productivity. Hundreds of feature and documentary productions have relied on SCRATCH not only because it was first to support native RED and files, but because it is the only DI tool that offers the quality, real-time performance and breadth of features needed to meet the unique challenges presented by uncompromising quality vs. realistic budgets.